The Collected Poems of J.R.R. Tolkien - Promo post
Jul. 28th, 2025 11:45 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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Summary:
The Collected Poems of J.R.R. Tolkien is an edition by Tolkien experts Christina Scull and Wayne G. Hammond. It covers all the poetry Tolkien wrote in his lifetime, published and unpublished, poetry belonging to the Legendarium, early lyrics, humorous poetry for personal occasions, poetry translations, and all manner of verse in between, in several languages. That said, this edition does not include all the verse from Tolkien’s Legendarium. In fact, the most well-known longer poetic Legendarium texts and texts of the translations and adaptations are discussed here but published only in extract, as their full text was felt to be sufficiently available elsewhere. On the other hand, there are about seventy poems in this edition that were previously unpublished and about half a dozen that had not been fully published yet (counts vary here depending on criteria). In fandom, a particularly well-known example of a previously unavailable text is the English original of “The Complaint of Mîm the Dwarf”. Due to the earlier editing efforts of Christopher Tolkien, most of the new poems are not directly set within the Legendarium. However, there is previously unseen material on Doriath, the Children of Hurin, Gondolin and Scatha the Worm. There are also many poems that are adjacent to previously known work of Tolkien’s in different ways. All these poems are carefully edited, very often in multiple versions, with extensive commentary, throwing a great deal of light on Tolkien’s writing process and creative life.
Why should I check out this canon:
The Collected Poems are of interest from different angles, depending on your interests.
First, there are the previously unpublished poems or those that were previously published but difficult to find. These are a mixed bag and invite different approaches. You may wish to home in on the Legendarium poems and the details they add to the Legendarium and its development. You may wish to look at other new material and draw out connections with the Legendarium, of which there are plenty. Or you may prefer to look at some of these new poems simply in their own right. Some of them are funny, some invoke beautiful imagery, and some reflect movingly on their author. If you want to nominate any of these for Innumerable Stars, either by themselves or for crossovers, more detailed information and instructions are scheduled to follow tomorrow.
But also, beyond that, the volume has plenty to appeal to readers interested in Tolkien’s poetry. The history of many beloved poems is documented here in detail not seen before. Some information was already available in The History of Middle-earth (or in editorial prefaces) but Christopher Tolkien was mainly concerned with tracing the development of the Legendarium; here the poems’ history can be studied in their own right. You may find the different versions of such poems inspiring for Innumerable Stars, even if you will need to nominate the poem in question for a different canon than The Collected Poems.
Where can I get this? The Collected Poems of J.R.R. Tolkien was published in 2024 in three volumes as a hardcover by Harper Collins. You get a huge amount of meticulously edited text, but it really is an investment. An e-book version is available, but even the lower price of this may not be affordable for some budgets. If so, your best hope for the full edition will be the library. Some of the individual poems contained can, however, be found independently, in excerpts or in full. One of the most widely accessible poem texts is that of “Bilbo’s Last Song”, which has been published multiple times in different formats, illustrated and set to music. “The Complaint of Mîm the Dwarf” was first published in German and recently translated by @slightnettles into French for the JRRT Native Languages Fest on Tumblr.
What fanworks already exist?
The Collected Poems do not have a canonical tag shared tag on AO3 (yet). At the SWG Archive, there is an overlapping fandom tag “Tolkien’s Poetry.” Perhaps the most fannish responses so far have been to “The Complaint of Mîm the Dwarf”, which started drawing interest even when only a German translation was known. There is a tag used for “The Complaint of Mîm the Dwarf” on AO3 by the author Huorinde (8 works). Anerea’s moodboard for one of Huorinde’s fics appears above as image, with her permission. You may also want to check other differently tagged fanworks for Mîm, such as Lady Brooke’s “Once There Were Words”. Further, here is a drawing by @helyannis on Tumblr,
Some other individual poems have older fanworks, dating back to before 2024. Here is an older response to "Mythopoeia" by pandemonium_123. Here is an artwork for Bilbo’s Last Song by @mgcoco. There are two crossover responses to two poems by Kaylee Arafinwiel: here for “Mythopoeia” and here for “The Last Ark”. And, finally, my own drabble in response to the poem about Scatha in The Collected Poems is here.
The Lay of Aotrou and Itroun Promo Post
Jul. 28th, 2025 07:30 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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(written by narya_flame ; the moodboard is also Narya's work!)
Summary: A shorter, darker Tolkien text telling the tragic story of two doomed lovers, drawing on Breton myth and legend.
Why should I check out this canon? If you’re into oaths and bargains, questions of fate, courtly love, rules-lawyering, witchy women, magic, myth, tragedy, etymology, or Celtic folklore (and let’s face it, if you’re hanging out in the Tolkien fandom you probably like at least a few of those things!) then this poem may just be your discovery of the summer. You’re also getting several texts for the price of one – the main poem was published together with two earlier ‘Corrigan’ texts, which are full of darkly magical possibilities for the adventurous fan writer to explore.
Where can I get this? Since 2016 it’s been available as a standalone book edited by Verlyn Flieger – your local bookseller or public library should be able to order in a copy if they don’t have one already, and of course the usual online shopping platforms are available. There is also a copy available on the Internet Archive.
What fanworks already exist? At time of writing, there are 10 works on AO3.
Mr. Bliss Promo Post
Jul. 28th, 2025 08:05 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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Summary A children's tale following the adventures of Mr. Bliss, a man who likes tall hats and keeps a girabbit. The story is set in a time when purchasing a car for 5s 6d seemed reasonable (to children, at least.) J.R.R. Tolkien did all the illustrations for this tale himself.
Why should I check out this canon? Because you like Tolkien's illustrations. Because you are fascinated by the concept of the girabbit (half giraffe, half rabbit). Because you wish that you, too, could purchase a fully functional automobile for £13.95. Because Mr. Bliss's highway hijinks may or may not have been inspired by JRRT's own driving style. ("Charge 'em and they scatter!") Because you enjoy English village life that is somewhat less hazardous than Midsomer Murders. Because you like Bears.
Where can I get this? At the bookseller* or public library of your choice. If your local public library does not have it, copies are available to borrow from the Internet Archive.
*may be a special order
What fanworks already exist? There are currently 11 Mr. Bliss fanworks on AO3.
Booklog: Alien Clay, by Adrian Tchaikovsky
Jul. 28th, 2025 01:27 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The joy of finding a very prolific author is that there’s a ton of stuff to read, but the difficulty of finding a very prolific author is figuring out where to start. Handily for me, this one was on the short list for the Hugos this year! And it was my top pick – I really loved it.
( More details -- no spoilers beyond the first few chapters )
(no subject)
Jul. 27th, 2025 11:17 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So now you all know two things, which is that I have no poker face when reading in public and also that Behind Frenemy Lines is a delight. It's a particular delight to me because this book is a really fantastic, affectionately grounded example of bring-your-work-to-the-rom-com; my brother works in the same kind of big law firm as the protagonists and every word of it rang true. As soon as I was done I texted my long-suffering sister-in-law to tell her that she should read it immediately. (My brother should read it even more, but he will never have the time to do so, because, again, he works in big law.)
So, the plot: our heroine Kriya Rajasekar has just broken up with her long-term boyfriend and followed her boss to a new firm, which has unfortunately resulted in her sharing an office with the competent but deeply awkward lawyer whose presence throughout her career has coincidentally but unfortunately coincided with all the most screwball catastrophes in Kriya's career.
Charles Goh does not know that he is Kriya's bad-luck charm. Charles actually has kind of a crush. This is regrettable for Charles given that life has provided them with a couple of perfect reasons to fake date (Charles needs a date to his cousin's wedding and Kriya needs to fend off the increasingly inappropriate attentions of her recently-divorced boss) and also a good reason they should not real date (Kriya is busy fending off the increasingly inappropriate attentions of her recently-divorced boss and does not need romantic complications from her office-mate/fake boyfriend.)
As a sidenote, the cousin's wedding is a Fandom Wedding, the details of which I will not spoil but which are the other half of why I was laughing visibly out front of my office building (and which I did not explain to the volunteer.) I would not trust a lot of authors to write a Fandom Wedding, but this book carries it off with charm and ease. It really helps that the leads do not understand what is happening and do not really care except inasmuch as it's nice to see a person you like get married.
Of course everybody catches feelings, but also everybody also catches more serious ethical dilemmas, as the corruption case from The Friend Zone Experiment rebounds back into the plot and forces both Charles and Kriya to figure out where their professional lines actually are. I love where the characters make their respective stands, and where they end up; the stakes feel exactly right for the book, deeply grounded and deeply personal to the characters. It's so nice to pick up a Zen book, and know I can trust her to always be very funny but also to always make her books about something real.
Sir Orfeo Promo Post
Jul. 27th, 2025 04:36 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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(written by narya_flame )
Summary: You may be familiar with the Greek myth of Orpheus, who entered the Underworld to bring his beloved Eurydice back from death (and even if you don’t know it, you might be noticing similarities between a certain man and half-Maia of Silmarillion fame). ‘Sir Orfeo’ is a Middle English poem which relocates the story to England and weaves in elements of Celtic myth and folklore. Tolkien’s translation of the poem was published together with ‘Sir Gawain and the Green Knight’ and ‘Pearl’, plus his commentary on all three texts.
Why should I check out this canon? You’ll spot plenty of familiar Middle-earth motifs in this text; opportunities for crossover shenanigans are plentiful! There’s some fascinating stuff to play around with in terms of the nature of Faery (let’s just say the Otherworld depicted in this poem is a startling departure from the takes on Faery that we might be more familiar with these days – the perilous realm indeed). If you’re artistically inclined then there are some amazing scenes and images just crying out to be illustrated. It’s also a great text for examining how myths evolve over time and absorb influences of the cultures retelling them.
Where can I get this? Sir Gawain and the Green Knight, together with Pearl and Sir Orfeo was first published in 1975, so there are several editions available – try your preferred bookshop, online retailer, or public library. (If you feel like treating yourself, or someone else with a love of Tolkien or Medieval literature, there is an absolutely gorgeous 2020 hardcover edition complete with slip case.) The 1975 edition is available as a PDF on the Internet Archive.
What fanworks already exist? There are currently 5 works on AO3.
Casefic Exchange - Post-deadline Pinch Hit
Jul. 27th, 2025 04:41 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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The pinch hit is due on Friday 8 August at 11:59pm Eastern time.
Pinch hits must meet the minimum assignment requirements of a completed work of a minimum of 3,000 words for fanfiction, a minimum of 10 panels for a comic, or a recording of a completed fic of 3,000 words minimum with "casefic" as one of its tags. Works must include a fandom, character/ship and be of a medium that the recipient has requested.
The requested mediums and characters/relationships are as follows.
Mediums: Medium - Comic, Medium - Fanfic, Medium - Podfic
Relationships:
Lin Shu | Mei Changsu | Su Zhe/Xiao Jingyan (琅琊榜 | Nirvana in Fire (TV))
Lin Shu | Mei Changsu | Su Zhe & Mu Nihuang & Xiao Jingyan (琅琊榜 | Nirvana in Fire (TV))
Lie Zhanying/Xiao Jingyan (琅琊榜 | Nirvana in Fire (TV))
Lin Chen/Xiao Jingyan (琅琊榜 | Nirvana in Fire (TV))
Lie Zhanying & Xiao Jingyan (琅琊榜 | Nirvana in Fire (TV))
Lie Zhanying/Lin Chen (琅琊榜 | Nirvana in Fire (TV))
You can find more information about the pinch hit here.
(no subject)
Jul. 26th, 2025 08:00 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
As it happened I hit this balance for The Ministry of Time some time ago, but then I still needed to take a while longer to read it because, unfortunately, I was cursed with the knowledge that a.) it was Terror fanfiction and b.) it was on Obama's 2024 summer reading list and c.) I had chanced across the phrase "Obama says RPF is fine" on Tumblr and could not look at the front cover of Ministry of Time without bursting into laughter. And I wanted to come to this book with a clear heart! an open mind! so I waited!
.... and then all of that waiting was in fact completely fruitless, I was never going to be able to come to this book with a clear heart and an open mind, because, Terror fanfiction aside, I'm like 99% sure that it's either a direct response to Kage Baker's Company series or Kaliane Bradley is possessed by Kage Baker's ghost. Welcome back, Edward Alton Bell-Fairfax! The mere fact that you're so much less annoying this time around means I'm grading on a huge curve!
Okay, so the central two figures of The Ministry of Time are our narrator -- a second-gen Cambodian-English government translator whose mother fled the Khmer Rouge, and who has gotten shuffled into a top-secret government project working with 'unusual refugees' -- and Polar Explorer Graham Gore Of The Doomed Franklin Expedition, who has been rescued from his miserable death on the ice and brought forward into the future by the aforementioned top-secret government project.
The project also includes a small handful of other time rescuees -- Graham Gore is the only actual factual historical figure, and frankly I think the book would be better if he wasn't, but that's a sidenote. Each time refugee gets a 'bridge' to live with them and help them acclimate; in Gore's case, that's our narrator. The first seventy to eighty percent of the book consists mostly of loving, detailed, funny descriptions of the narrator hanging out with the time refugees as they adapt to The Near Future, interspersed with a.) dark hints about the sinister nature of the project and the narrator's increasing isolation within it that she repeatedly apologizes to us for ignoring, b.) dark hints about the oncoming climate apocalypse, c.) reflections the narrator's relationship to her family history, and d.) intermittent bits of Terror fanfiction about Gore's Time On the Ice.
I do not think this part of the book is necessarily well-structured or paced, but I did have a great time with it. Does it feel fanfictional? Oh, yes. The infrastructure that surrounds this hypothetical government project is almost entirely nonexistent in order to conveniently allow the narrator long, uninterrupted stretches to attempt to introduce Graham Gore to various forms of pop music;
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Now, this only ever happens with Gore, because Gore is the only one of the refugees who is a real person in several ways. Margaret (the seventeenth-century lesbian) and Arthur (the gay WWI officer) are likeable gay sidekicks, and then there's a seventeenth-century asshole whose name I've forgotten. At one point Arthur tosses off a mention to his commanding officer 'Owen who wrote poetry' and I nearly threw the book across the room. Have the courage of your convictions, Kaliane Bradley! None of these coy little hints, either do the work to kidnap Wilfred Owen and Margery Kempe from history or don't! But Gore is obsessively drawn and theorized and researched, because, of course, the whole book is largely about Being Obsessed With Gore, about interrogating why the narrator, a not-quite-white-passing brown woman from an immigrant family, has built her whole life around this sexy British naval officer turned time refugee, symbolic of the crimes and failures of empire in six or seven different directions. A bit navel-gazey, perhaps, but as a person who spent five books begging Kage Baker to think at all critically about the horrible British naval officer turned time refugee she'd built, I'm just like, 'well, thank God!'
And, again, for the five people who care, I cannot emphasize enough just how similar Gore is to Edward Alton Bell-Fairfax and yet miraculously how much less annoying. They both have a code of ethics formed by the loyal and genuine belief in the good work done by the British Imperial project (thematically and historically reasonable); a shocking level of natural charisma combined with various secret agent skills at weaponry, deception, strategy and theft (extremely funny, extra funny with Gore because as far as I can tell what we know about him From History is 'normal officer! popular guy!'); and -- such a specific detail to have in common! -- Big Sexy Nose That The Man In Question Is Really Self-Conscious About.
And both of them, of course, end up struggling to navigate their positionality in the Imperial machine, between government operative-with-agency and experimental-subject-with-none.
So that's the first seventy to eighty percent of the book, and then, in the last twenty to thirty percent of the book, the dark hints finally resolve into the actual plot, ( which is IMO successful in theme but completely goofy in actual detail )
Casefic Exchange: Post-deadline pinch hits due 8 August.
Jul. 26th, 2025 10:29 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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Minimum requirements: We allow three mediums: a minimum of 3,000 words for fanfiction, a minimum of 10 panels for a comic, or a recording of a completed fic of 3,000 words minimum with "casefic" as one of its tags. Works must include a fandom, character/ship and be of a medium that the recipient has requested.
Event link:
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Pinch hit link: Current pinch hits.
Due date: Friday 8 August at 11:59pm EDT.
Available post-deadline pinch hits:
Thank you for considering!
A handful of recent books
Jul. 26th, 2025 02:00 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
( 84, Charing Cross Road by Helene Hanff )
( The Twelve Chairs, by Ilf and Petrov, translated by Anne O. Fisher )
( The Hearing Trumpet by Leonora Carrington )
( Killers of a Certain Age by Deanna Raybourn )
Book of Lost Tales Promo Post
Jul. 25th, 2025 07:23 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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(written by dawn_felagund )
Summary: Tolkien began writing the "Silmarillion" as a young man in the trenches of World War I. The Book of Lost Tales are the stories he penned during this period of his life and represent his earliest work on the "Silmarillion." Many of the familiar tales are already present in their early form: the cosmic conflict between the Valar and Melkor, the tale of Beren and Lúthien, and the Fall of Gondolin, to name just three. These stories are embedded in a frame narrative where the Anglo-Saxon mariner Eriol ends up visiting Eressëa and hearing a series of stories from the Elven residents there. The Lost Tales were never finished in their entirety, so while some of the early stories are complete, others are fragmentary or just outlines. Each tale is accompanied by commentary from Christopher Tolkien, who edited the collection.
Why Should I Check Out This Canon? The Lost Tales are recognizably "Silmarillion" stories, yet they differ greatly in style and tone from Tolkien's later work. They are more whimsical and more like the Victorian fairy-stories that Tolkien later denigrated. Magical elements abound, and the texts are more playful than the more sober "Silmarillion" texts Tolkien would write in the decades to come. In addition, they contain copious detail, especially about the Valar and Maiar, their homes in Valinor, and their adventures against Melkor.
For creators who work with the published Silmarillion, the Lost Tales can provide canon details that expand what is available in The Silmarillion (Nienna lives in a hall constructed of bat wings!) or deviate from it in surprising and delightful ways (Sauron is the prince of cats!)
Where Can I Get This? The Book of Lost Tales comprise the first two volumes of the History of Middle-earth series. They are available as both print and ebooks. For a reader not up for two volumes of sometimes dense reading, individual stories stand well on their own.
What Fanworks Already Exist? There is no tag on AO3 specifically for The Book of Lost Tales. Creators use several different Tolkien tags to mark these works. On AO3, you may have luck finding Lost Tales fanworks here. The #book of lost tales tag on Tumblr has more fanworks.
Friday's Comic
Jul. 25th, 2025 02:04 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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And they do!
Which makes sense. I mean, all three of them have some of form of theater training.
- Gil has political training from his father.
- Tarvek has intrigue and spying training from his entire family.
- And Agatha has theater training.
Headache, by Tom Zeller, Jr
Jul. 24th, 2025 10:24 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

A solid, well-written, and generally engaging book about migraine and cluster headaches. The author suffers from the latter, with suffer being the operative word - cluster headaches are called "suicide headaches" because people with them are known to kill themselves because of the intractable, excruciating pain.
The first-person account was the best part of the book: what it's like to have cluster headaches, how you're driven to hoard medication because you're not allowed to have enough (which leads doctors to view you with suspicion as a drug-seeker - NO SHIT you seek painkillers when you're in pain!), how you cling to any doctor who will take you seriously, and the psychology of chronic pain generally.
(In Zeller's case, he wasn't seeking opiods or anything that could get him high, but a medication that does nothing to anyone but stop cluster headaches if you have one. But his doctor didn't believe that he actually got them as often as he did, and his insurance company didn't want to pay out for his medication, so he was forced to hoard and ration his medication for no good reason, and then looked at with suspicion when he asked for more.)
The book gets a bit into the weeds in terms of the biological mechanism of cluster and migraine headaches, which is not yet known, and the reasons why there's little research or funding devoted to them. But overall, a good book that will make people with chronic headaches, or any chronic pain, feel seen.
Sellic Spell Promo Post
Jul. 24th, 2025 07:35 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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(Written by narya_flame )
Summary: Sellic Spell ('strange tale', 'wondrous tale') is a short prose tale which attempts to reconstruct the folk story behind Beowulf, and also draws inspiration from the Norse Hrólfs saga kraka. It mostly follows the plot of Beowulf, up to the death of Grendel's mother.
Why should I check out this canon? If you're a fan of folk tales and fairy stories, and/or you're interested in Beowulf and Tolkien's responses to that text, this one is for you! It has magic and horror, heroism and treachery, treasure and monsters, and can be read and enjoyed on its own merits, whether you're familiar with the source material or not. For the linguistically minded, the 2016 edition of Tolkien's Beowulf also includes the Old English version of the tale - and if your comfort zone is the Middle-earth legendarium, there are plenty of little links you'll pick up on as you read.
Where can I get this? The manuscript is held at the Bodleian library, but for those of us who can't access the Oxford special collections, it was published in 2016 alongside Tolkien's translation of Beowulf. It's also available as a free PDF courtesy of the Internet Archive.
What fanworks already exist? At the moment there are three fanworks on AO3 - a drabble from the point of view of the Queen of the Golden Hall, an encounter between the Queen and Grinder's mother, and a crossover with The Hobbit which blends the tale with the history of the Beornings.
a collection of book reviews
Jul. 23rd, 2025 05:09 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The Anatomy of Courage, Lord Moran
As recommended by
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Sometimes the biases of the era come through: Moran occasionally comes out with stuff about how 'good racial stock' is required for avoiding shell shock and cowardice, but it always feels like those are platitudes he's occasionally diverted by before getting into the practical, vivid and very sensible things he has to say about the causes of mental breakdown, based on his WW1 observations. He has a lot to say about the differences between a professional standing army and a citizen army of conscripts, about how men in a citizen army react to danger, how good morale and esprit du corps are protective against mental trauma, how fear operates and how to combat it, what courage looks like, what kind of leadership soldiers respond to and its impact on the mental wellbeing of the soldiers - he doesn't use modern jargon for any of this, but that's what a modern reader would take from it. He talks a bit about the different branches of the service and how the air force and navy and submarine service have different impacts on mental health both because of the different demands of the service - the group isolation of a ship vs the largely solo isolation of a fighter pilot - and because of the different traditions and beliefs these services held about themselves, and compares that to experience of the infantryman in the trenches.
In an odd way I found it a very relatable and reassuring book. It made me realise that I'm pretty confident I have the type of courage Moran talks about, to hold firm when horrifying things are happening because others are depending on you holding firm, and confident not in a sort of wishful-thinking I'm-sure-I-could-do-that way, but the same way I'm confident I can spell miscellaneous: I've done it, or something as like to it as a middle-aged woman in peacetime can get, lots of times before. I recogised a lot of the emotional dynamics he describes, the way you recover after a sudden shock of violence, the temporary unravelling and how your mind and body heal up again, and I also recognised the factors that protect, or in their absence damage, your ability to hold firm, both practical - food, sleep, rest breaks, humour, health - and moral - the belief in what you are doing and why, social support from others doing the same thing, the conviction that failure is not an option. A really good, insightful book.
Don't Let's Be Beastly to the Germans, Daniel Cowling
Apologies if the title causes you to get a song stuck in your head for the next week, I already had the song stuck in my head and then tripped over the book. This is a decent general overview of the British occupation of Germany 1945-9; Cowling doesn't go into anything in tremendous detail but gives a little bit of lots of things. I've read books that take a much deeper dive into certain aspects - the Berlin Airlift, the T-Force memoir and also the bonkers sigint book, plus a general book on the postwar atrocities across Europe - and so some of this was a bit top-down overview compared to that. The chapter on 'fratting', for instance, was interesting read against the memoir with its candid details about German women selling sex for food, and the relationship with the former owners when living in requisitioned property. Though, given the memoir's emphasis on partying and having fun and hiring one's friends, that certainly backed up Cowling's chapter on the ineptitude and bad behaviour of the military and civilian government. Cowling's argument comes across a bit incoherent at times - there's an awful lot of 'wow the occupiers were awful and incompetent and made a total mess' followed by a chapter on the rapid recovery, economic growth and stable democratic government in West Germany afterwards, so you're left wondering just how Cowling thinks these two accounts fit together.
There was quite a lot about the economics of the occupation, I did love the chapter on the black market and some of the unforeseen consequences. The 'money for old smokes' scandal was ridiculous: British soldiers and civilians stationed in Germany got a free ration of cigarettes, fifty a week. Cigarettes were the de facto currency of German civilians, the mark being essentially worthless in 1945-6, and so you could trade your cigarettes with German civilians for anything from accordions to dental care (though sex was usually paid for in chocolate or other food). And one thing you could trade them for was German marks, lots of them. But there was one place where German marks were used at their official exchange rate, and that was NAAFI shops. So you could take your free cigarettes, sell them for an awful lot of German marks, then take the German marks and exchange them in the NAAFI shops for whatever you wanted. Which included postal orders and savings bonds in sterling, which you could deposit in your nice British bank account. If you saved up your free cigarettes for a few months, with 500 cigarettes you could easily get £100, which was a tidy sum. And it seems that practically everyone stationed in Germany realised this at once, because this particular type of transaction led to a £50 million hole in the occupation's budget. Which is an argument for the incompetence of the British administration, certainly.
And as for the title, Cowling doesn't ever really engage with the question: were we beastly to the Germans, and should we have been. It's interesting to compare this book to Keith Lowe's Savage Continent, which is a much broader book in scope and yet also vastly more detailed and incisive: Lowe really engages with the question of human suffering on all levels and the historian's ethics, he talks about the lack of acknowledgement of the Holocaust in the immediate post-war attempts to prosecute war crimes and care for refugees, about the expulsion of ethnic Germans from much of eastern Europe and how the very real suffering this caused is used by historians of particular political bents who want to argue that the Germans were the real victims of WW2 and setting it in the context of what else was happening and to who... by contrast Cowling never really gets into the difficult questions. He quotes an awful lot of British newspapers and their opinions of how generous or harsh we should be to German civilians postwar - in many ways this is a British newspaper account of the occupation: how it was perceived at home in the context of what was happening politically in the UK, and that's about the level on which Cowling engages with the question. He gives brief snapshots of varying attitudes - a display in London of daily rations for German civilians which was designed to show how much worse off they were in 1946 than British civilians (whose food was rationed even more severely than in wartime) ended up with a lot of people thinking the Germans were still getting much too generous an allocation. On the other hand Cowling also includes stories of British soldiers routinely handing over their rations to famished German children. But he never really engages with it beyond this superficial skim of attitudes, and he also avoids exploring the German perspectives and what they thought about it. So, a good general overview of the occupation and introduction to it all, but go elsewhere for insight and detailed analysis.
Paid To Be Safe, Margaret Morrison & Pamela Tulk-Hart
The final of my IWM wartime novels, written together by two ATA ferry pilots about a fictional ATA ferry pilot. So not quite a memoir, but strongly based on real experiences and set at real airfields. I really enjoyed this, it's deftly written, captures the essense of the experience beautifully and is full of fascinating detail. And also death: this is a book in which a lot of the characters die, because it's wartime and that's what happens in wartime and I don't doubt that the main character's experience of multiple bereavements is both realistic and realistically written.
Our heroine is Susan Sandyman, who managed to escape Singapore before the Japanese arrive and has just arrived back in England, with husband and infant child both dead and desperately in need of something to think about that isn't that. And she learned to fly back when she lived in Malaya, and so she joins the ATA to become a ferry pilot, and we follow her adventures until the end of the war. There's a tremendous amount of fantastic detail about the training process, vivid descriptions of life in the training schools, the different people Susan meets and what the training is like, and all the things she learns about all the different aircraft and the process of learning how to cope with a job where you might fly five different types of aircraft in one day, compared to the normal RAF training where you might only ever fly one or two. There were some fantastic stories that must have been drawn from life like how a caterpillar in a pitot tube can very nearly make you crash.
The title, Paid To Be Safe, is what was drummed into the ferry pilots: their job is not to take any risks, their job is to transport the valuable and much-needed aircraft safely from A to B, their job is to keep themselves and their aircraft safe at all times and to know how to never get into dangerous situations in the first place. Despite this it is still a dangerous job, and ferry pilots die in training and in service - as I said, this is a book where sudden death can happen to anyone at any point, whether it's disease or bombs or airplane crashes, a very wartime book with this constant thread of trauma running underneath everything else.
The Ministry of Time, Kaliane Bradley
This was a really good Terror forced proximity AU readerfic that had an incoherent plot sellotaped to it. Loved the time travellers getting to know each other and the modern world, and their characters were drawn fairly well, but all the other characters were pretty bland, and the main character and narrator in particular was very much a generic-tumblr narrative voice. There was plenty of drama and excitement and events, I whizzed through the book waiting for the moment when it would all make sense, but it never did, the plot was just tacked on to try to explain to the non-fandom world why the author was writing Graham Gore/modern reader self insert. But despite that I'd have read another 100k of Time Travellers Have Adventures With Bikes And Spotify, especially if it had involved more about one of the secondary time travel characters, Captain Arthur Reginald Smyth, retrieved from the Somme about five minutes before his death and by far my favourite of the characters for highly predictable reasons. A fun but frustrating book.
Leaf By Niggle Promo Post
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Have you ever really really wanted to just be working on your fanfiction or fanart but instead you have some mundane life stuff like working at a job and keeping on top of your housecleaning that you have to do, and you just absolutely resent it? Well, then you’ll know how Niggle feels. He’s always thinking about his art, but he’s got duties to attend to, a neighbour who needs help, and a Journey to go on.
Why Should I Check Out This Canon?
This short story, a rare attempt at allegory from professed allegory-hater JRR Tolkien, is a touching and heartfelt look at the way that inspiration and duty clash, finding friendship in unlikely places, the joy of creation, and the unknown impact that what a person makes can have. It’s very Catholic in some ways but is overall a heartwarming and beautiful little story with some very funny bits. There’s also shipping potential!
Where Can I Get This?
Available either on its own or as part of the compilations Tree and Leaf or Tales from the Perilous Realm wherever books are generally sold. It is also available as an audiobook narrated by Derek Jacobi. Leaf By Niggle can also be found in the Internet Archive’s copy of Tales from the Perilous Realm.
What Fanworks Already Exist?
There are 7 fanworks archived at AO3. I was only able to find a few pieces of fanart (such as this rendering of Leaf, by Niggle)when I looked around; this canon is about an artist, and has incredibly evocative imagery. As such, it definitely needs more fanart!